special exhibitions

Concept Context Contestation: art and the collective in Southeast Asia (Yangon)

Date : 18 January 2019 - 10 February 2019
Location: The Secretariat, Yangon
Travelling project organised by Bangkok Art and Culture Centre in collaboration with Goethe-Institut, Myanmar
Opening ceremony and performances: 19 January 2019, 2 pm at the Secretariat, Yangon
On view: 19 January - 10 February 2019, at the Secretariat, Yangon
Public educational Forum, Southeast Asian Art: 20 January 2019, at Goethe-Institut Myanmar, Yangon
Project supporters : Dr. Disaphol Chansiri, the Secretariat Conservation Group

Iola Lenzi (Singapore)
Agung Hujatnikajennong (Indonesia), Vipash Purichanont (Thailand)
Curatorial support Yangon:     
Nathalie Johnston

Alwin Reamillo
Amanda Heng
Aung Ko
Aung Myint 
Bui Cong Khanh
Chaw Ei Thein
Dinh Q Le
Eko Nugroho and Daging Tumbuh
FX Harsono
Goldie Poblador
Htein Lin
Imelda Cajipe Endaya
Jakkai Siributr
Justin Loke and Yang Jie 
Kaung Su
Ku Kue
Lee Wen
Manit Sriwanichpoom
Mella Jaarsma
MES 56
Michael Shaowanasai
Moe Satt
Nge Lay
Nguyen Van Cuong
Paphonsak La-or
Popok Tri Wahyudi
Prapat Jiwarangsan
Sawangwongse Yawnghwe
Srey Bandaul
Sutee Kunavichayanont
Tang Mun Kit
Taring Padi
Tay Wei Leng
Tintin Wulia
Tran Luong
Tung Mai
Vandy Rattana
Vasan Sitthiket
Vu Dan Tan
Yadanar Win

Concept Context Contestation- art and the collective in Southeast Asia YANGON version, known as CCC YANGON, is a collaboration of the Bangkok Art and Culture Centre (BACC) and the Goethe-Institut, Myanmar. The exhibition will bring Southeast Asian contemporary art to the public in Myanmar.

After opening in Bangkok in 2013, CCC, traveled to regional centres Hanoi, in 2015, and Yogyakarta, in 2016. In January 2019, CCC YANGON features many of the original CCC Bangkok pieces, in addition to some 25 extra works, many of which are new commissions, and over ten newly-included artists, five of whom are Myanmar practitioners.
On 20 January, Goethe-Institut Yangon will host a one-day public symposium focusing on Southeast Asian visual practice and CCC discourses of art relating to collective concerns in Southeast Asia.




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