In the second part of this exploration of the unique relationship between sound and the moving image, Dr. Jean-David Caillouët will investigate the subjectively evocative realm of abstract cinema. From the pioneering experiments of the father of visual music ‘Oskar Fischinger’ to the innovative and groundbreaking works of Norman McLaren, John and James Whitney, Jordan Belson and Stan Brackhage among others, the rich history of this ongoing exploration of auditory-visual interactions will provide a starting point for a discussion over the role of sound in experimental film.